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Alain
Le Quernec, Photo by Kambiz Shafei, 2003 |
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The
5th Colors
from left to right, Majid Abbasi,
Saed Meshki,
Alireza Mostafazadeh,
and Bijan Sayfouri.
Photo by
Kambiz Shafei, 2005 |
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The 5th Colors
By Alain Le Quernec
During the recent years, Iran’s graphic design has intruded upon
international arenas and now, it is permanently present in all the
events and occasions worldwide, in a way that its presence has been
inevitable. Making up for the past years’ lack of recognition,
Iran’s graphic design is now gaining honors repeatedly.
Iran’s graphic design has been recognized belatedly, since it grew
during the fifties, when Morteza Momayez and some other graphic
designers gathered together to enter a new view into this
experience. This movement started and in spite of the revolution and
the war between Iran and Iraq, which disconnected Iran from the rest
of the world for a long time, kept on moving.
Today, Iran’s graphic design owes its special position to the
activities carried out by Iranian Graphic Designers Society. This
Society has been able to introduce the real position, necessity and
attraction of graphic design profession to the public during this
period of time.
Each new generation of graphic designers in Iran has a larger
population than the previous one. In the present situation, three
groups of Iranian designers can be differentiated:
1) The early founders and Morteza Momayez who are considered the
symbols of Iran’s graphic design.
2) The graphic designers under 40 years old who can be called "young
designers". They belong to the group of the innovative ones who are
i nterested in new trends.
3) The very young, newly-graduated generation, and familiar with
their previous generation whose achievements have roused the youth
to follow their footsteps if the situation is suitable.

The 5th color belongs to the second group. Those who will still be
called young graphic designers towards the not-very-far future. This
group have used the experience and works by Morteza Momayez’s
generation, the generation who made an honorable and respectable
profession out of graphic design. The young generation’s most
important achievement is questioning some current criteria and
moving towards innovation, and also their sensitivity and
appreciation for new trends in graphic design which has been
transformed by the advent of computers and the Internet. Although
they consider themselves different from the previous generation,
they have maintained a strong Iranian identity. Besides mastering
new techniques, they have inherited an original culture which is
some thousand years old, powerful and unique in poetry, calligraphy,
music, etc.
All the four members of the 5th color belong to this creative
generation. Today, they have given credence to whatever we know as
values and innovations on Iran’s graphic design and also to previous
generation’s works which were hidden due to their country’s
insularity. The members of the 5th color are the members of Iranian
Graphic Designers Society too, but they have gathered together and
are collaborating in a way as if they wanted to be the only selected
and professional ones in this Society.
Although the members of the 5th color started their activities with
the aim of displaying their works and upgrading their level, they
want, in all aspects, to be the holders of the new trends in graphic
design, such as holding national exhibitions of Iranian typography
and posters, by reliance on their talents. In a struggle to be an
official source, they are determined to be a solution to satisfy the
graphic designers’ ardent desire, and by means of the friends and
connections they have made all over the world, they would like to
stage exhibitions.
Undoubtedly, all these initiatives have always been successful. This
pride and want towards being the best, could be a paragon for the
society of Iranian graphic designers. It is no exaggeration to say
that by their active participation in competitions which has won
international renown for Iran’s graphic design, they can be
considered the messengers of their country in this subject. What is
now going on in the field of graphic design in Iran is very
exceptional and the result of a strong will and good organization
which makes graphic design respectable and attractive for students.
The role of the 5th color members in this policy-making is very
crucial for the health and survival of Iran’s graphic design today.
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